Japan/Korea Film Greatness

There is something magical within the quiet simplicity found within Past Lives. Rather than being a film with narrative twists and turns that attempt to create a plot filled with extraordinary situations[], Past Lives embraces a grounded and more simplistic drama that sees its characters work through impossible emotions in a naturalistic setting similar to the works of filmmakers such as Yasujirō Ozu.   .   .What is love? Should one compare loves? Is love enough to define a future? These are all questions within Past Lives that are impossible to answer, yet the film eloquently lets them breathe and allows the audience to engage with them without ever oversimplifying the experience to provide a cleaner and more satisfying resolution.

— Carson Timar, Buttered Popcorn

 

  

Ozu favored a stationary camera and believed strongly in minimalism. Tokyo Story (1953) was voted the best Asian film of all time in a 2015 poll of 73 film critics, festival executives, programmers, and directors from around the world, organized by the Busan International Film Festival.


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